As expected, plastic and metal seem to be the main components in play, but she also does a little bit of hacking and live electronics too, and I think her own voice appears as she muses along in harmony with her distinctive creations. depending on which particular pile she turned to for inspiration. In the case of Demastes, she likes to organise her collection of useful junk by its colour, so we have seven tracks here titled ‘Pink’, ‘Orange’ ‘Yellow’, etc. She makes her sounds from commonplace discarded objects, thereby fitting in to this label’s aesthetic in quite a big way – Day is never slow to recognise the achievements of those who make sounds from unusual sources, or build their own instruments, or use hacked / broken electronics. Recent cassette tape from Bryan Day’s EH? Aural Repository is Thing Music (EH? 116), created by Erin Demastes in Los Angeles. All the seven compositions are extensively annotated in the enclosed booklet personal favourites include ‘huso huso’ by Jonah Haven, and the title track by Chris Dench. He has a very strong technique, but doesn’t show off with it, and the key takeaways are precision and clarity. This isn’t to suggest he’s by any means a “minimal” player though this may be a quiet album, the player and all the composers share an interest in content and meaning. It’s that intimacy which is the hallmark of today’s record, each one of these 2020 compositions allowing Haynes a chance to speak in a gentle manner and address the emotional concerns he’s evidently reaching for. Richard Haynes appears to be working away at a one-man campaign to reinstate the instrument in classical music and restore it to its rightful position, noting that the culture has moved on nowadays, and intimate ensemble music is making a welcome return. It seems the clarinet d’amore, with its narrow bore and “woody sound”, was just a shade too quiet to hold its own against the more dominant basset horn. More specifically, he plays the clarinet d’amore, which might be regarded by some as something of an antique – although popular in the late 1700s, it gradually faded out of use due to changing imperatives in classical music and orchestras, particularly during the rise of romantic music. Well, this EP will be a huge trip for the listener.Fine set of modern compositions played on the clarinet by Richard Haynes on his Ghosts Of Motion ( CUBUS RECORDS CR374) album. Although, frankly, it was interesting, whether Sarah Connor would be killed (then for the first You probably remember that in Russia in the 90s it was not sweet. This is even probably no longer 90s, but in general there is already some kind of. I do not even know what to say here: Zhu-Zhu-zhu, Pysch-pysch-pysch. Atmospheric tapping at the end of the composition only strengthens the picture. Seems like a lonely girl stunned with drugs, twitching in the middle of the dance floor. The second composition is more endorsement-dancing (and it The Brazilians gives profound themes and sounds, in French (original, is it not?). However, let's return to the Brazilian: The first track begins with an atmospheric howl, which turns into anĮqually atmospheric motive, straight from the 90's. However, our group has vocal parts performed by something like Google-translator.
We also haveĪ similar collective in Russia, called "Слушай Экзорцист" (Listen exorcist). Last time I heard something similar in 1990, when the first terminator tried to shoot Sarah Connor in the bar. Well, you know, the deep meaning, strong drugs and the like.
Since i thought it’s so complicated to describe such music, I dare call it synthpop, or something
The band from Brazil has released a new EP. Wow, I do not even know what to say about all this.
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